4 Aug 2024
Paul
atten Ash
New Moon
Aug 19th
Jul 21st
The Storm
After Edvard Munch’s
The Storm (1893)
I am the daubed bride, a storm-drubbed girl, equivocal,
a-quiver, a blur of hands, howling into the bruised sky,
this Åsgårdstrand night—a seethe of pre-coital thunder,
its mad chorus of maidens leading me away from light,
away from the forced commensality of unbidden guests,
a ghost threnody calling me North, the edge of nothing.
Deeper I drown, down into darkness, these fjord waters
welling up their black oil into me, my pretty insides dusk,
a scream of trees, my smudged sex hexed, I am the wind
rattling the pane, all brackish-lipped and tidal-wide, cold
as the depths of the Fold, robed in ice, a benighted virgin,
I shiver out of the canvas—I alone, doomed to go down.
Behind the poem...
The psychic distress evoked in Edvard Munch’s symbolist/proto-expressionist work is a source of endless inspiration for me as an ekphrastic poet. Here, in my response to his painting The Storm, I focus on his solitary ‘benighted virgin’: facing the moonlit Nordic shore alone, drawn to the water’s edge. As she makes her way down from her wedding party feast to the fjord at Åsgårdstrand – then onward, towards the wide, unstoppable forces where she is ‘doomed to go down’ – I interpret Munch’s oneiric, storm-drubbed painting as nature’s brutality colliding with the inner conflict of the virgin’s awakening.