top of page
No_Moon.png

4 Aug 2024

Paul
atten Ash

No_Moon.png

New Moon

Twitter.png

Aug 19th

Jul 21st

The Storm

After Edvard Munch’s

The Storm (1893)

                 I am the daubed bride, a storm-drubbed girl, equivocal,

                 a-quiver, a blur of hands, howling into the bruised sky,

                 this Åsgårdstrand night—a seethe of pre-coital thunder,

                 its mad chorus of maidens leading me away from light,

                 away from the forced commensality of unbidden guests,

                 a ghost threnody calling me North, the edge of nothing.


                 Deeper I drown, down into darkness, these fjord waters

                 welling up their black oil into me, my pretty insides dusk,

                 a scream of trees, my smudged sex hexed, I am the wind

                 rattling the pane, all brackish-lipped and tidal-wide, cold

                 as the depths of the Fold, robed in ice, a benighted virgin,

                 I shiver out of the canvas—I alone, doomed to go down.

Behind the poem...

The psychic distress evoked in Edvard Munch’s symbolist/proto-expressionist work is a source of endless inspiration for me as an ekphrastic poet. Here, in my response to his painting The Storm, I focus on his solitary ‘benighted virgin’: facing the moonlit Nordic shore alone, drawn to the water’s edge. As she makes her way down from her wedding party feast to the fjord at Åsgårdstrand – then onward, towards the wide, unstoppable forces where she is ‘doomed to go down’ – I interpret Munch’s oneiric, storm-drubbed painting as nature’s brutality colliding with the inner conflict of the virgin’s awakening.

Twitter.png
bottom of page