15 Nov 2024
Clare
Bonetree
Full
Moon
Dec 1st
Nov 1st
We were talking
about roundness
After Diego Rivera’s Dos Mujeres (1914),
a portrait of Angelina Beloff and
Maria Dolores Bastian
We were talking
about roundness –
imperfect, curvaceous,
delicious, whole,
self-describing,
self-owning
roundness
of oranges, women,
planets, artichokes,
beachballs, marbles, glass eyes,
the letter O;
the shape a mouth makes:
O, O, O, O, O,
oh no! – and yes –
contradictory containers
for desire;
and about the question
of how to grapple
gloriously,
with the impossibility
of fully conveying
the hole – or the whole –
of it on a canvas,
on a flat square,
on a round world.
Our conversation
flowed, rocked
back and forth,
ideas rising and
falling on the waves
of our breath.
Sometimes
currents crossed
eruptions of laughter
you could not catch,
lapping at the shores
of our experience.
Behind the poem...
Inspired by the relaxed, easy stance of the women in Rivera’s famous painting, Dos Mujeres, (Two Women), I wanted to find out more about them. They were the artist’s wife and her great friend; both of them also painters, though their work is now barely known. Intrigued by the relationship between these two women, and wondering what they might be talking about, I was caught by the sense that the painter was outside their conversation – could never be a part of it. These artists, I felt, had been silenced by history: frozen in their roles as models and muses. I had a strong desire to bring back their voices.